Top Tip
Draw or paint something every day. Practice makes perfect. Keep a journal or sketchbook.
Oil Painting
Don’t try to fix a mistake with more paint, remove it with turpentine.
Acrylic Painting
Use a wet palette, – Via Cate Rangel & Michelle Waters
Watercolor
Pre-soak your paper in the bathtub and lay flat, even if it is already pre-sized. - Via Annie Owens
Painting On Wood
Photographing Your Artwork
It’s always best to scan your artwork and keep a high resolution file. If you can’t – then take the highest res photo of it you can, before and after framing and before you put it in a show. The best way is to stand over your art with it laid flat on the floor or ground. Line your camera up so there the edges look straight in the camera frame. Take 5-10 pictures – a few in natural daylight (shade), a few inside by a window and a few with lamps or lighting. Try not to use flash as that will create glare in the finish. You can adjust the contrast and crop the edges of your file to make it look square (if the image looks warped) in PhotoShop or another software program. Always save a high res version.
DO
Communicate promptly, clearly and professionally. Acknowledge receipts of emails.
Appear in person at all your openings, on time – if humanly possible. Bring a bottle of wine or a dish, it shows you care.
Always get a signed contract when you deliver art for shows.
Drop off and pick up your works on the agreed upon times. Communicate if you have to be late.
Help promote the show, send emails, give out cards or flyers, invite friends.
Support the galleries who show your work – buy something, anything – even if it is just a card. When you buy a gift for someone, shop there first.
Do go over the gallery’s commission up front. This is how a gallery pays it’s rent, enabling them to show your work. Commissions are standard, so figure that in when pricing your work.
Do follow through with any commitments of art you have made, whether creating new pieces for a show or delivering specific agreed-upon pieces.
DON’T
Don’t ship or deliver your work in bad shape. Pack it properly if shipping – (there are a ton of how-tos on the web). Make sure frames are solid, un-chipped, glass is clean, canvas edges are painted and the hanging hardware is attached properly and securely.
Don’t whine or complain about your art’s placement in the show. Many things are involved when hanging a show that you may not be aware of – wall structure, lighting, grouping, etc.
Bad mouth or gossip about other artists, curators or galleries – word will get around.
Don’t quibble with a small gallery when they ask for a small fee to help pay for promotion or reception supplies (after they have accepted your work to the show). Many galleries are struggling to pay huge retail rents, insurance and employees. Without any galleries you wouldn’t be able to show your work!
Don’t continue to work with a gallery if you are not happy with them.
Don’t commit works to an exhibit and then cancel at the last minute, or try to pick up work to stick in another show before the prior one is over. It is unprofessional and in bad form.
Finishes, Varnishes, Fixatives, Seals
On Oils
“Mark Ryden told me that Damar varnish would lead to alcoholism and divorce. (It doesn’t age all that well.) Turns out that he and the museum restorers I talked to are all raving about the same stuff: Soluvar, by Liquitex.” - Via Isabel Samaras
On Watercolor/Gouache
Best not to finish, just frame under raised glass (with matt). Use Krylon Fixative if you have to, it may alter color a little but not as much as everything else.
Glue
“Rabbit skin glue is king. So is Dancolite.” - Via Pamela Wilson
Lineco bookbinder’s glue - Via David Ball
Brushes
Rosemary and Co. (for oils) - Via Mary Jane Ansell
Pearl, sable fan brush for blending oils - Via Genevive Zacconi
“Isabey is my favorite brush manufacturer, oil brushes, long handled sables”
- Via Robert Steven Connett
Synthetic filberts (for oils) - Via Mark Bryan
Paints, Mediums & Glaze Brands
(recommended by artists we have interviewed, number of artists in parentheses)
Graham (1) Old Holland (3) Golden (5) Holbein (1) Atelier acrylics (1)
Winsor & Newton watercolors (1)
Genesis Heat Set Oils -”because I love oil paint and it allows me to paint spontaneous layers with a heat gun.” - Via Anita Collins
Spectrum Mediums (1)
Golden gloss mediums & varnish (2)
Gamblin mediums and thinners, least toxic - Via Mark Bryan
Alchemist, Inc., amber painting medium (1)
Old Holland glazing solution (1)
Markers/Inks
Copic markers (2) Promarkers (1)
Faber-Castell inks (1)
Pelikan black drawing ink - R. Crumb
Paper
Arches (2)
I use the old Strathmore vellum surface paper, which is the best paper you can get in the Western world for ink line drawing – R. Crumb
Wood Panels
Finished, treated, sealed, 1/4 inch birch with 1 3/4 cabinetry moulding, – for collage, David Ball
Glass
Lambert’s glass & Saint Just Verrerie in France, - Via Judith Schaechter