Laurie Hassold’s masterful works cry out in their own little wiggly world. At first glance, I was struck by their symmetrical, flowering grace and elegant composure. Somehow, one knows a woman created them, both beautiful yet somehow painful. At closer look, the juxtapositions in her imagery start to smack you around. They are delicate yet grisly, feminine yet macho, organic yet mechanical, cerebral yet sensual, fun but also dead serious. The ying and yang of her works are reflective of life itself and it is her singular creativity, which holds our interest and makes us want more. Sculptures which resemble organic creatures of the Alien variety, they are composed of sometimes humorous, often symbolic and always strangely wondrous recycled items.
It seems she begins with a formed wire base, molded with epoxy clay and florist tape. From there the piece evolves into it’s own incarnation and along the way, items are incorporated. Enamel paints, life casts, fur, chiffon, jewelry, elephant tusks, toys, found objects, lace, dolls, beads and skull parts, to name but just a few.
“My core interest in making art lies in blurring the boundaries between art, science, literature and psychology, by focusing on how these disciplines each negotiate the split between mind and body. Growing up in a physician’s household, I was exposed at a very young age to the body’s visceral workings, and by the age of eleven had witnessed a range of surgical procedures, from minor mole excisions to full hysterectomies. I continue to be fascinated with our complex, yet efficient biology, and how we, as a species, mediate our corporeal existence within an increasingly advanced technological world. Technology enables us to surpass the limits of our physical form, but how does it affect our psyche, our spirit? By using the body, both literally and symbolically, I fuse scientific with artistic practices in an effort to blur the boundaries between my own mind and body.”